Jamboree Festival and Legacy Awards Help to Keep Jimmie Lunceford Alive

If you’re a jazz aficionado, you’d know something about the late, great Jimmie Lunceford and his legacy. If you’re not familiar with the jazz master, you could learn a lot during the weeklong Jimmie Lunceford Jamboree Festival, Oct. 24-31.

For example, Jimmie Lunceford (June 6, 1902 – July 12, 1947) was a jazz alto saxophonist and bandleader who was considered the equal of Duke Ellington, Earl Hines and Count Basie during the 1930s swing era.

Here’s another tidbit: Lunceford was an athletic instructor at Manassas High School and organized a student band called the Chickasaw Syncopators before changing the name to the Jimmie Lunceford Orchestra.

The jamboree festival honors Lunceford and his contributions to jazz. The festival’s signature event – “The Jimmie Lunceford Legacy Awards: A Celebration of Memphis Music Heritage” – kicks off Sunday, Oct. 31 at the Halloran Centre for Performing Arts & Education, 225 South Main St., in downtown Memphis.

Presented and produced by W.E. A.L.L. B.E. Group, Inc., and sponsored by the Tennessee Arts Commission, the event is open to the public from 5 p.m. to 8 p.m. A slate of honorees comprising the “homecoming court” will be honored for their work in the music industry.

The homecoming court includes (King) Dr. Bobby Rush, blues singer; (Queen) Bev Johnson, WDIA 1070 radio personality; (Princess) Dr. Valetta Brinson, classical, jazz, spiritual and R& B soloist; and The Temprees – (Prince) Harold “Scotty” Scott, (Prince) Walter “Bo” Washington and (Prince) Deljuan “Del” Calvin – R & B legends.

Onzie Horne Sr., noted band leader and arranger, and Florence Cole Talbert-McCleave, operatic singer, composer and music educator, will be honored posthumously as king and queen. Jasper “Jabbo” Phillips, former lead singer of The Temprees, will be honored posthumously with the group and share the title of prince.

Carla Thomas, who rose to fame in the 1960s as a breakout songstress on the Stax Records label and referred to as the “Queen of Memphis Soul,” will perform a special tribute to Horne.

In addition, percussionist Ekpe Abioto, jazz songstress Earlice Taylor, jazz artist Cequita McKennley and others will pay tribute to Lunceford in their own unique way. The legacy awards will be livestreamed at www.youtube.com/weallbetv.

Face masks are required for in-person attendance.

“It's all about bringing out African-American history and culture and our role in music, and also uplifting those elders,” said Callie Herd, vice-president of the W.E. A.L.L. B.E. Group, Inc., a 501c3 nonprofit alternative news and education organization.

But more importantly, the jamboree festival and the legacy awards are all about Lunceford and keeping his legacy alive, said Ronald C. Herd II, artist, musician and historian. 

Herd, who calls himself “Tha Artivist,” is the founder and president of the W.E. A.L.L. B.E. Group, Inc. He has given much consideration to Lunceford and his legacy since 2007. 

The enthusiasm has never waned over the years, but instead caught fire in 2017 when Herd and his mother, Callie Herd, worked feverishly to elevate the jazz master’s status among today’s musicologists and jazz enthusiasts.

“When I first discovered him, I mean, it was amazing, though, that a person like this, let alone a Black man, exists with this type of mindset and abilities,” said Ronald Herd, paying homage to the jazz master.

Herd said Lunceford lived his life in service to his people and for his people – “and to be forgotten by his people was a disgrace.” The goal of the weeklong jamboree festival, he said, “is to bring him back to life.” 

Manassas High School was Lunceford’s launch pad into the world of big band orchestras. While rivaling other jazz greats at the height of his fame, Herd said, “He would always come back to Manassas to do free concerts and musician clinics.”

The Jimmie Lunceford Jamboree Festival and Legacy Awards present opportunities for Memphians of all stripes to get to know the extraordinary jazz musician whose contributions are no longer relegated to the annals of history.

The Herds have found a way to keep Jimmie Lunceford alive. 

Author Condenses 400 Years of Black Plight and Triumphs into 950-page Book

John Burl Smith's "The 400th: From Slavery to Hip Hop"

John Burl Smith hasn’t given up the fight. He’s just using a different tactic, a different course of action. Now he speaks and writes about the plight and triumphs of Black people rather than organize protest marches. 

A founding member of The Invaders, a ‘60s-era militant group boasting Black power in Memphis, Smith has cobbled together his experiences and perspective on the Black man’s journey in his new book, “The 400th: From Slavery to Hip Hop.” 

Published by Nelson & Nelson Press, LLC in July (2021), the 950-page book is perhaps Smith’s crowning achievement since joining the Black Power Movement decades ago. 

If not his crowning achievement, the book is certainly a literary feat for Smith. As with any book that traces the history of a people – as in the “400th” (1619-2019) – or major events throughout history, thorough research is required.

But first comes the idea before the story is written, which, for Smith, had been simmering ever since he was old enough to discern the way Black people are treated in this country.

“I’ve always been baffled by the fact that we as a people never had a story that seemed to explain who we were, why we were here, and why it seemed we could never change our status as a people.” 

As a child, Smith said stories that were relayed to him about his great great-grandfather were bandied around by his great grandfather, whom he’d known and talked with and, “unlike most people,” forged a relationship. 

“And the stories they told, and the way they told them [just] didn't match with the history that I was always exposed to in history books and movies and things,” said Smith, calling this a “duality” that just didn’t jibe.

While the Black Power Movement was Smith’s foray into activism, writing has become his forte, his mode of expression, and a passion that keeps him working at the grindstone. 

A blurb from “The 400th” summarizes the Black man’s plight on his meandering journey throughout history: “The unending love story of a people who fell in love with being themselves.”

Or is it the love story of a people trying to mitigate the harsh reality of pain and suffering at the hands of the white man, the book’s nemesis or antagonist? There is a villain in books of this nature.

There are pitstops in the book – from one era to the next – that leads to a modern-day art form (hip hop), which encompasses the collective experiences and sighs of being Black in America. 

Smith conveys in the book the power that Black people possess collectively, as a bloc per se, even after undergoing the torrent of slavery and grappling with age-old racism, discrimination and disparity. 

He didn’t start out with the idea of writing a book, he said, but 400 years in this country morphed into one. Why? “We needed to celebrate, commemorate all our ancestors that had given their lives and efforts to get us here,” he said. 

There is much more within the pages of this book: eight categories, Smith said, “that’s responsible for our survival.” 

• Family and Building Communities: Slaves had to build families and communities in order to survive, he said.

• Education and Communication: “We needed to be able to understand the written language,” he said, “and be able to communicate the written language.”

• Entrepreneurship and Entertainment: “Entertainment has produced more wealth for descendants of American slavery than any other enterprise,” he said.

• Political and Cultural Development: Smith said, “Politics is really the last thing we have been able to get into…because it is power in the U.S.”

“The 400th: From Slavery to Hip Hop” is a history book of sorts written with candor from a Black man’s perspective. Smith said he wrote the book for high schoolers and college students.

“My concern is to get young people to understand the level of power that they actually have,” he said.

John Burl Smith can be reached by email at jbsmith908@gmail.com.