Jazz musicians young and old gathered at Circle Music Center to pay tribute to their mentor, Johnny Yancey, who celebrated his 60th birthday. (Photos: Wiley Henry) |
Jazz
trumpeter Johnny Yancey walked into Circle Music Center at 5124 Poplar Ave. Monday
evening and heard a chorus shout “Happy 60th birthday, Johnny Yancey!” with jazz
music teeming in the background.
“I
don’t think I deserve this!” said Yancey, who actually turned 60 on Dec. 14. His
wife Marcquinne, her mother Earlice Taylor, and Mike Kelley, a music historian
and photographer, could not have disagreed more. The trio invited Yancey’s longtime
friends and a cadre of jazz musicians that he’d jammed with over the course of
30 years to a combination birthday party and jazz jam celebration.
“I
was totally surprised,” said Yancey. “My son Nygel told me that we had a gig to
do. That’s what I thought I was going to.”
Old
guys, young guys and new guys were all together.
Johnny Yancey prepares to cut his birthday cake. From left: 3-year-old Ari Yancey, Alaina Yancey, Nygel Yancey, Annese Yancey and Amir West. |
“We
got people of all ages, diversity, high school, co-workers, friends and family,”
said Marcquinne Yancey, who sang a silky smooth love song to her husband later
on in the evening and then threw him a kiss.
The audience
approved.
W.
J. Michael Cody, former U.S. attorney for the Western District of Tennessee,
listened intently while Yancey and his band-mates played syncopated beats on
the drums and riveting chords on the piano. The wind and string instruments –
saxophones, a trumpet, trombone and bass – moaned and whimpered.
“I’ve known Johnny his entire life. His mother
was a dear friend of mine,” said Cody. “I watched him grow up. I watched his
career. And now I’ve seen his son Nygel come alone. He’s (Johnny) a wonderful
person.”
The
band played for four hours – totally unrehearsed yet in sync – with occasional
vocal accompaniments from Taylor, a noted jazz, blues and gospel singer; Kellie
Hurt Parker, a resident of Little Rock, who was accompanied by her husband
Chris on piano; gospel artist Annie Ivory, director of Urban Family Ministries
CDC, Inc.; and Todd Allen, a former Memphian now living in Atlanta.
The
Rev. Renardo Ward, senior pastor of Greater Harvest Church of God in Christ,
who also plays drums, called the assembled talent the “underground institution
of jazz” and credited Yancey with birthing it in his home.
“Johnny
has had a profound impact in Memphis for generations. I learned a lot from the
University of Memphis, but I declare I learned a lot from Mr. Johnny Yancey,”
he said.
The birthday host committee: Marcquinne Yancey, Mike Kelley, a photographer and music historian, and Earlice Taylor, a noted jazz, blues and gospel singer. |
“I’m
still learning myself,” said Yancey, giving props to his late brother, a
saxophonist, who inspired him to play saxophone as well while in elementary
school. At Southside High School, where he graduated in 1973, Yancey was
introduced to jazz music and excelled.
Between
then and now, he honed his jazz skills and learned to play other genres – gospel,
classical, blues, reggae, and rhythm and blues – with relative ease and
proficiency. He has performed with Alvin Baptiste, Billy Pierce, Donald Brown,
Terri Lynn Carrington, Javon Jackson, James Williams, Herman Green, Zaid
Nassar, the late Emerson Able Jr., Joyce Cobb, and Floyd Newman, who was in
attendance.
“Floyd
Newman was a great inspiration for me,” said Yancey, recalling the jam sessions
with Newman at the old Bill’s Twilight Lounge, once a hub for African-American
artists and writers on North Parkway before the building was razed in 2009.
Thad
Jones, a jazz band conductor and trumpeter, also influenced Yancey, who formed
his own jazz orchestra, The Sanctuary Jazz Orchestra, in 2002. That inaugural performance
was a tribute to the late great composer, pianist and bandleader Edward Kennedy “Duke” Ellington.
Yancey
and his orchestra have performed at a number of venues in Memphis and
surrounding areas and accompanied Taylor in a benefit concert at Bridges of
Memphis for mission charity relief in the Republic of Haiti.
Ward
sees Yancey and his orchestra as a lynchpin that connects the Memphis jazz
music scene to the world. He played with Yancey in the early days and said the
bandleader was integral in shaping mindsets such as his own and bridging
cultures with jazz music.
“He’s
had people in the band from Haiti, Germany, Puerto Rico,” he said. “It’s
international. It’s multicultural. The group spans generations from 9 years old
and up. And he didn’t have a grant to fund the orchestra.”
Yancey
said playing with the orchestra makes him feel happy.
“It’s
an institution,” he said. “It’s no stress. They’re not obligated to do this.
They do it because they love it.”
He
loves it too – immensely – adding that his life-long mission is to pass the
culture down to the younger generation, people who otherwise may not know that
jazz is an integral part of African-American music history and the predecessor
to other genres.
Quoting
Art Blakey, a jazz drummer and bandleader who jammed with the likes of Fletcher
Henderson and Billy Eckstine, Yancey said, “Jazz is the highest art form in the universe, because it
comes from within and it tells a story, like an artist painting a picture or an
actor playing a different role than his own personality.”
AT A GLANCE
·
Johnny
and Marcquinne Yancey have been married 32 years.
·
They
have three children: Annese, Alaina and Nygel, a freshman at the University of
Tennessee at Knoxville majoring in Engineering. He also plays drums in his
father’s band.
·
The couple has three grandsons: Ari, Demarrius and Amir.