Rabia
Louis Haynes was 13 years old when Dr. Martin Luther King Jr. was gunned down
on the balcony of the Lorraine Motel on April 4, 1968. Forty-six years later, the
spirit of Dr. King is embodied in a one-man stage play entitled “If Dr. Martin
Luther King Jr. Were Alive Today.”
“I
wanted to keep Dr. King’s legacy alive,” said Haynes, an actor, writer and
director, who will perform the play at the Harrell Performing Arts Theatre in
Collierville at 440 West Powell Rd. The show dates are Jan. 29 – 31 at 8 p.m.;
Feb. 1 at 3 p.m.; Feb. 5 – 7 at 8 p.m.; and Feb. 8 at 3 p.m.
The play
is approximately 1 hour and 15 minutes without intermission. General admission
is $20; students and seniors: $15; and groups of 12 or more: $10. Tickets can
be purchased online at www.mlkplay.eventbrite.com or at the door on the day of the
play at no additional cost.
Rabia Louis Haynes plays the role of Bobby, who relies on the iconic civil rights leader's guidance to overcome some unfavorable situations. (Courtesy photo) |
Haynes
has loaned his thespian talents to the stage play numerous times since 2011,
the year he fleshed out the script. In fact, he’s rolled out the play in
Memphis five times in four years before a bevy of theatregoers.
“Our
greatest enemy is forgetfulness. Non-violence is still the way to go even in
2015,” said Haynes, adding that young people in particular need stimuli in the
form of entertainment. “They don’t have the attention span to listen to Dr.
King’s words of non-violence.”
Haynes
wanted to do something that’s entertaining, yet maintain the seriousness of the
message that Dr. King tried to convey. “Society as a whole did not hear Dr.
King,” the actor said. “Society often responds out of fear.”
Haynes
brings “Dr. King back to life as the audience follows the experiences of a man
named Bobby who finds himself in unfavorable situations and relies on the
guidance of his hero, Dr. King, to overcome whatever obstacle it is that he is
facing in that moment.”
The
hypothesis of Haynes’ stage play is as close to reality in 2015 as it were
during the turbulent civil rights movement when throngs followed the iconic
civil rights leader and looked to him as their moral compass.
Whether
there is one person or 100 people in the audience, Haynes said the play has
earned the respect of the audience and kudos for him. In fact, “I’ve never done
a show where I didn’t get a standing ovation.”
Haynes
ventured into acting at Laurence Merrick Drama College in Los Angeles in 1975
when he was 20 years old. He’d migrated from Chicago’s South-Side and took up
residence on the west coast, where he’s lived since.
Raised
by a single mother in the crime-ridden, 4,400-unit Robert Taylor Homes public
housing project, Haynes and his seven siblings endured the conditions in what was
declared the nation’s largest housing project.
Haynes
admits he was the class clown in school. The attention he sought no doubt took his
mind away from the travails of life and provided the impetus he needed to
pursue a career in acting. Laurence Merrick was his launching pad.
“That’s
when I began to take acting seriously,” he said. “At that time, I was chosen as
the No. 1 actor at the school.”
The
acting bug was seriously chomping away at Haynes, who’d completed Dov S-S Simens
Hollywood Film School in New York City
as well. For 40-plus years, the 59-year-old thespian wrote, directed and
produced more than eight plays.
During
those years, Haynes honed his skills in other areas such as sound, casting, editing, composing,
cinematography and production. Using Leon
Isaac Kennedy, Jermaine Jackson, Akon, Eve, and Swizz Beats as
references, he’s added to his repertoire improvisation, dancing, comedy,
Martial Arts and voiceover.
A
member of the Screen Actors Guild, Haynes has shadowed noted director Stephen
Spielberg on the set of “The Terminal” starring Tom Hanks. He also has
performed for Saudi Emirs and worked as a director for PBS.
Memphis is ground zero for
“If Dr. Martin Luther King Jr. Were Alive Today,” Haynes said. “The dream began
April 4, 1968, and Memphis is the most important place where this play should
be.”
Haynes is contemplating taking
the play on the road to Atlanta, Chicago and Washington, D.C., and hopes to
start scheduling the play at certain theatres in those cities very soon.
Although Haynes is
comfortable with his performance as Bobby, he’s assembled a tight-knit crew of
light and sound operators to help him transform the legacy of Dr. King into a
meaningful stage play that awakens one’s consciousness.
“I
believe God has put this in my heart to do this,” said Haynes. “I won’t stop.
If I do, I would be disobedient.”
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